THE SHOW:  

Book by Michael Stewart and Mark Bramble, lyrics by Al Dubin, and music by Harry Warren, based on the novel by Bradford Ropes.  

Julian Marsh is doing a show! And it’s one of the biggest tap shows ever – the immortal 42nd Street that debuted on the silver screen at the height of the Great Depression in 1933 and debuted on Broadway in 1980. Filled with such numbers as Lullaby of Broadway, We’re in the Money, You’re Getting to be a Habit with Me, Shuffle Off to Buffalo, Young and Healthy, and its famous title tune combine with a feel-good script about a young girl from Allentown, Pennsylvania who lands on Broadway with big dreams and ends up with the starring role, all combining for one entertaining and tap-happy slice of musical theatre gold.  

THE PRODUCTION:  

As soon as the curtain raises just enough to see the tapping legs of dozens of spot-on dancers, it’s clear that Young Artists Ensemble in Thousand Oaks, California has put together another remarkable summer production. Ginny Grady directs this one with her daughter, former NYA Award winner and now Broadway performer Tessa Grady, re-creating Gower Champion’s original choreography. Visually the show includes some beautiful rented costumes and nice set backgrounds by Mark Andrew Reyes, while a superbly talented youth orchestra is a feast for the ears as they flawlessly perform the show’s classics.  

Isabelle Moore leads the way as the charming, starry-eyed Peggy Sawyer. Her excitement at the prospect of dancing for her dreams, disappointment as those dreams crash, and exhausted determination as hope is rekindled are all beautifully portrayed. And her singing and dancing would clearly make veteran Broadway star Dorothy Brock jealous. Leah Dalrymple is brilliant as the amusingly vain and jaded Brock complemented by some gorgeous vocals. Austin Robert Miller runs the show with confident control as superstar director Julian Marsh, even hilariously directing leading man Billy (Julian Comeau) to sing the super-high note of Lullaby of Broadway in his place. Austin and Isabelle work great together throughout including his “pep talk” to get her ready for her love scene and the show’s closing scene that perfectly captures all they’ve both discovered thanks to each other.  

Julian Comeau delivers fantastic dancing and singing as the show-within-the-show’s leading man, including his Young and Healthy courting of Peggy and his tribute to the stage’s beautiful Dames. Nia Coleman is amusing as the co-writer Maggie with a big, fun personality, with her co-writer Bert (Quincy Unseth) playing very well off each other. Emma Camp is a hoot as Anytime Annie, shining with Maggie and Bert in a nicely staged Shuffle Off to Buffalo.  Other entertaining performances come from Christopher Reilly as rich Texas bankroller Abner Dillon and Matthew Kesner as Dorothy Brock’s true love Pat Denning. And the entire cast simply stuns as comedians and dancers who come into a small fortune in We’re in the Money, captivate in a powerfully performed 42^nd Street, and inspire us to our dreams in Lullaby of Broadway.

Rob Hopper
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Executive Director
National Youth Arts

~ Cast ~ 

Julian Marsh:

Reed V: