by Huntington Beach Academy for the Performing Arts
Brigadoon! - A testament to the heritage of Director Tim Nelson, and the unique synergy that occurs on a stage when APA’s full cast and ensemble “gie it laldy!” (Gives it 100%), opened to standing room only crowds this past weekend.
So, the tartan kilts flap and fly, the bagpipes pipe away, and rapturous music, including the show’s signature song, “Almost Like Being in Love,” flows forth from start to finish, unapologetic for its deep-dyed romanticism. The Scottish atmosphere is inextricably woven into the music and the story line, lying as thick over the proceedings as the mist that shrouds the town of Brigadoon.
I do remember the movie well. Gene Kelly and Cyd Charisse in a very well choreographed film. From a performance standpoint, Gene Kelly in the starring role was as graceful as ever. Cyd Charisse also had flawless dancing in the movie, but unfortunately was burdened with the worst Scottish accent ever in the history of cinema. APA, however, seems to have mastered this very challenging dialect quite well.
Our story begins as American tourists Tommy Albright (Marcus Veyette) and Jeff Douglass (Jack Borenstein) get lost on vacation in the Scottish Highlands, and they stumble into a small enchanted village not on any map - a mythical village that, according to the town spokesman, appears for only one day every 100 years. As kindly town leader Mr. Lundie (Alberto Hernandez) puts it – it’s a miracle! As it happens, the inhabitants of the Scottish town of Brigadoon had their own harrowing experience with war two centuries earlier, and paying the price by living under a protective spell that, since 1746, has allowed them to come to life for only one day every century.
The two outsiders are warily welcomed by the townspeople, who are preparing to celebrate the wedding of two of their own, Jean MacLaren (Tessa Rawlinson) and Charlie Dalrymple (Austin Schulte). But it’s Jean’s single sister, Fiona (Hanna Schooner), a wee bonnie lass who catches Tommy’s eye—which is the problem, because, upon returning home, he’s about to get married to a woman he’s not sure he really loves, and also because of the whole existing-one-day-a-century thing.
Needing to pick up a few things for the ceremony, Fiona accepts Tommy's offer to help. Together, they find love roaming the heather on the hillside. But because of the town's 'blessing,' their lifetime of happiness is cut short. Now it's up to Tommy to keep love from vanishing. No outsider can stay in Brigadoon unless they fall in love, and no resident can ever leave or the village will vanish forever. So Tommy is forced to choose between returning to the world that he knows—or taking a chance on life and love and staying in the mysterious Brigadoon.
Big, beautiful and beguiling - Brigadoon is a ravishing romantic fairy tale full of real-life echoes. But mostly it is a vintage beauty — awash in gorgeous songs performed by a cast with heavenly voices, lush orchestrations, an exquisite blend of traditional Scottish dance and balletic storytelling, and a minimum set that is a clever mix of old and new stagecraft.
Brigadoon has a strong cast overall with Malia Merrill as one of the standouts. Her Meg Brockie is a loose, plucky, aggressive maiden desperate for love in all the wrong places. She is best served with Jack Borenstein’s Jeff Douglas (Jack, replacing Damon Williams on this performance), who’s a well-meaning but shallow drunk with the best zippy one-liners, especially as he rebuffs Meg’s advances during her vivaciously raunchy love quest, “The Love of My Life.” Somewhat of a comic relief in the role, Jeff’s coupling with Meg is more flirtatious and the antithesis of the real affection between Tommy and Fiona.
As Tommy and Fiona, Marcus Veyette and Hannah Schooner are sweet and earnest in their mutual adoration. Hannah’s voice soars in their three duets, “The Heather on the Hill,” “Almost Like Being in Love,” and “From this Day On,” and Marcus is all precision and grace, pulling off the songs with his usual impeccable vocals, robustly filling the theatre with rich, hearty melodies of hope.
Seth Merrill, whose lovesick, forlorn and misunderstood Harry Beaton threatens Brigadoon’s very precarious existence, but steals center stage with “The Sword Dance and Reel” at Charlie and Jean’s wedding celebration, zealously leaping, pouncing, and swooping with competitive hostility. And, in a kilt no less! Harry Beaton’s anger at being confined to living in the village made the scene in which he attempts to leave Brigadoon quite climactic.
Rounding out the cast is Patrick McCormick as Andrew MacLaren, Lucas Wilson as Harry’s father, Archie, and literally a host of ensemble, too numerous to name. Most memorable are the dances. The colorful swirling of skirts on the lads and lassies. The kilts added much to the whimsical spectacle by costume designer Carole Zelinger. All different varieties of tartan are sashed and skirted to identify family clans. Scenically designed by Chris Caputo and Carly Mano, the Lighting is by Josh Behrens and Sound is by Tim Nelson.
This “Brigadoon” truly infatuates as vibrant entertainment. It inspires with fervent relational conviction. It enchants with a high lovability factor. But beware! As the mist is in the gloaming, this “Brigadoon” will disappear within a week. Get your tickets now at https://www.hbapa.org/see
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